



Incredibile ma vero sono uscite 2 nuove versioni del comic sans (Italic e Bol Italic), un font così definito dal suo creatore:
Se ami il Comic Sans, non ne sai molto di tipografia; se lo odi, non ne sai veramente nulla di tipografia. In entrambi i casi, dovresti scegliere un altro hobby.
Vincent Connare
bè se qualcuno avesse il coraggio di acquistarle questo è il link

Vittorio De Sica era molto grotesk, Gino Cervi più lineare, Alida Valli parecchio graziata, Amedeo Nazzari un po’ inglese. Sulle locandine c’erano i loro nomi, chi c’era dietro?
Perché il Playbill ha le grazie così esagerate? Come si facevano i poster prima del computer? Ma, soprattutto, non posso usare mela Z???
Per sapere tutto questo e altro ancora sui caratteri in legno…
…l’Officina Tipografica Novepunti è lieta di presentare
James Clough in
OGNI LEGNO HA IL SUO TARLO
Una lezione informale, a ritmo di musica, sui caratteri in legno italiani
Sabato 26 marzo 2011 ore 15:00
Presso l’Officina Tipografica Nove Punti
Via Giusti 4, Cesano Boscone (MI)
Per motivi di spazio, prenotarsi a
officina@novepunti.org
Ingresso libero con tessera associativa (10 euro)
Per superare la prevedibile e continua emergenza smog esterni quest’anno ha deciso di attuare la sua prima campagna dedicata al problema dell’inquinamento. Please don’t smog è un progetto di comunicazione costruito con eventi mediatici e sul territorio.




Every autumn, some remarkable visitors arrive on FontStruct. For a few weeks, a great storm of creative energy rages through the gallery. Our servers creak and groan. Bricks fly in all directions. And then, as suddenly as they came, they go; leaving behind some exceptional FontStructions and, everywhere, the mysterious tag: UWE.
This year, we succeeded in tracking down some of the people behind this strange phenomenon. We asked them to tell us about their work, and they very kindly agreed …
Who are you, and what is UWE?
We are the course team on the “Communicating with Words” module at The University of the West of England, Bristol, UK. Module Leader Gabriel Solomons with supporting lecturers John Paul Dowling, Jez Hattosh-Nemeth and Stephen Monger.
How do you use FontStruct in your teaching work?
The students who participate in the FontStruct project are in the first year of their three year BA in Graphic Design. In part one of the project they are tasked to choose one word from a list of themes such as “Dynamic”, “Reflection”, “Chaos” or “Decay” to then create a display face of at least 26 characters plus a basic set of punctuation. We encourage the students to spend time collecting information and materials from the environment. These will be used to inform the production of their digital typeface so they must consider how the materials generated (by sketching, photographing, etc.) can result in a modular, grid-based font. Students are encouraged to apply a wide range of image-making skills to the collection of their research. It is in the translation of these recorded visual elements from location to the making of letterforms, which provide the individual quality of the student’s typefaces.






Official Classics spawned from the minds of two young enthusiastic
graphic designers Mark Zador and Attila Horvath. We both are unlimited
lovers of typography and geometry, forms and colours, computers and game
consoles, graffiti and stickers, magazines and blogs, work and rest, music
and silence, winters and summers the list goes on……
Music Philosophy is a weekly graphic/typographic interpretation of philosophical song quotes.





Some wor from Miko (music philosophy), a designer realy like music and design.











Buro Destruct founded 1994 in Bern Switzerland counts the four members
Lopetz, Heiwid, MBrunner and H1reber.
Small City – Big Design is their motto while working for small, local
and international major companies at the same time.
The Art of Hermann Zapf from Johnny Dib on Vimeo.
A film on the purpose and techniques of calligraphy. Presented and produced by Hallmark. Filmed at Hallmark cards during a visit by Mr. Zapf. Production manager Noel Gordon. Script outline Peter Seymour. Script editor Richard Rhodes. Camera Direction Frank Robinson. Associate cameraman Heinz Burger. Idea and direction Harald Peter.

So you need a typeface is an alternative way on how to choose fonts (or just be inspired) for a specific project, not just by browsing through the pages of FontBook. The list is (very loosely) based on the top 50 of the “Die 100 besten schriften”.
For exemple:

Idea buy Julian Hansen
Ikea, il mobilificio svedese che ha applicato la teoria del bauhaus al propio brand, portando design in casa di tutti, presenta una serie di publicità in una filosofia di marketing innovativo.


Ikea celebra i 30 anni della libreria Billy con la Facebook App Billygram.
Con Billygram gli utenti possono inviare sulle bacheche degli amici messaggi animati composti da librerie riempite in modo da comporre le lettere del testo!
Trovato qui

Cliccando sul banner di Ikea viverrà chiesto di caricare un mp3 dal vostro hard disk.
Inseritelo e lo vedrete suonato dalla libreria…
mobilificio svedese adatta i banner alla filosofia dei propri prodotti.
FontShop.com is more than a site that sells fonts — we want to help you do great work too. That’s why we created our new Education page. Enhance your design skills, whether you’re a student in Type 101 or a seasoned professional.

The Education page premieres with four docs filled with typography tips and tutorials from our team of experts. The PDFs are formatted for easy downloading and printing, perfect for the classroom or studio.
And more…
Nice project by by Stephen Powers with the City of Philadelphia Mural Arts Program and is sponsored by the Pew Center for Arts & Heritage through the Philadelphia Exhibitions Initiative. Generous support provided by the Brownstein Group and Septa.
Launch website